Tuesday, November 29, 2011

An Artistic Healing of Neurosis


            Upon watching Woody Allen being interviewed by Jay Leno, it became perfectly clear that his comedy is a metaphor for Jewish neurosis.  A light bulb went off in my head!   I have been asking myself the last month how I am going to understand and heal my own neurosis.  His answer was comedy.  Over the decades after the obtainment of security (personal wealth) he was able to use his neurosis positively as a motivation for creativity.  Although misunderstood many would be surprised to know upon study artists do the same thing.  “When life gives you lemons, you make lemonade!”   The argument presents itself that neurosis should not be necessary for great art.  Upon study it could be proven easily that it is this unresolvedness often that prompts attempted healing by use of artistic metaphors.  Artists study and understand, synthesize, and abstract their aberrations into artistic renderings.  The thorough study and expunging of their afflictions in the present helps to cure the eventual, longer lasting, emotional effects the neurosis may cause in the future.  What is interesting is, “Will an artist have able material with which to create if there is no such rift?”  Consequently are artists naturally and openly sentenced to lives of continual neurosis? 
            The primary and painful step in the healing process is attempting hypothetically to understand its cause.  A hypothetical or disassociated survey of one’s own history attempts to quell painlessly neurosis’s symptoms.  The artistic process on the other hand may use the emotional unrest of neurosis and funnel it into creative impetus.  While it could be understood traditionally only good emotion is used as motivation for art, history has shown that also art has been used for catharsis.  The film Goya’s Ghost provides a perfect example of such art.  The argument could be presented that creativity which is intelligently and skillfully channeled may only be an attempted diversion or escape from  neurosis.  It is now that the subconscious mind is brought into play.  As synthesizers humans should not be expected cognitively to understand the total minutia of their own psychology.  If we were then the Romantic period in art and literature may not have ever existed.  A balanced combination of Classicism and Romanticism could be viewed as a suitable recipe for the healing of neurosis.