The long anticipated exposing of Scarlett Johansson’s voluptuous bare breasts is upon what Hollywood filmmakers should be doting. While the complete package of Halle Berry voraciously has satisfied most yearning adolescent males, the lineage of maturation on screen has great potential. Woody Allen successfully created a more adult and liberal role for Ms. Johansson in Match Point. The Island turned her into a full-fledged Hollywood screen beauty. The prudent preening of the once one-legged Grace Maclean could create box office history. What other child star has America seen who grew such bankable breats in such a short time? Jennifer Love Hewitt had hers in I Know What You Did Last Summer. They were a major visual focus of the film. Leelee Sobieski had hers in The Glass House. Lindsay Lohan and Kim Kardashian single-handedly launched their media careers with the leaking of home made sex tapes exposing their all ready developed bodies. Only Johansson’s breasts have developed on the silver screen like well-cultivated melons seeking the proper expose at the state fair. Who will provide the proper vehicle for such an exposure? Noel Black’s treatment of Betsy Russell in Private School for Girls created a cathartic adolescent sexual fantasy. Matthew Modine, dressed in drag, infiltrated the all girl dormitory of his object of desire Phoebe Cates. Russell, albeit with surgery-enhanced breasts, was given the appropriate seductive scenario for the exposure of her curvaceous cleavage to the then transvestite Modine. Johansson needs a similar scene in the appropriate movie, more tastefully coupling her own personally discovered sexual desires. Only with this personal awareness will the true power of her yet-to-be-uncovered breasts be released. It is a savvy art director and cinematographer who will harness the true potential much like Howard Hughes did of Jane Russell. The proper palette is crucial for the unveiling of what could be the most revered breasts in Hollywood. As with the passage of time creating children undoubtedly always has its consequences. It is fortunate Jennifer Connelly’s dark side has enabled her to continue acting in roles demanding deep emotional reflection. Her catalog is diverse and substantial. With her desire to act in dramatic roles came the slow demise of the exact same potential her breasts displayed in many Hollywood films. A pang of remorse must be felt at the dying of a once highly esteemed adolescent fantasy. Johansson stands firmly in a position to inherit the coveted grail of Best Hollywood Breasts only if they are exposed in exactly the right moment.
